Vic
Sadot Releases “BROADSIDES & RETROSPECTIVES”,
a 19 song CD
project The “Best of 25 Years of Crazy Planet &
Planète Folle Bands”
Vic
Sadot, a Newark, DE based singer-songwriter, has released
a compilation of 19 songs from his 25 years as a working
musician. The Crazy Planet Band’s first concerts were
at Newark Community Day and The Deer Park Tavern in the
fall of 1979. Vic’s band has always put its emphasis
on original and topical song material with a reverence for
folk, blues, and rock roots. After traveling in southwestern
Louisiana in 1992, Vic returned to form Planète Folle
(Crazy Planet in French), which specializes in Cajun/Zydeco
and New Orleans R&B. Planète Folle released Comin’
Home, a 16 song CD in 1997, featuring the original bi-lingual
Bourbon Street. Although Comin’ Home is no longer
available, Bourbon Street is on the new B&R compilation
CD.
Crazy Planet released a number of songs with pop potential,
such as Good Time Delaware, Beer Muscles, Respect for the
Road, and Comeback Kids. This is the first time that these
songs appear in the CD format. There are also 6 new songs
in the offering of otherwise “retrospective”
selections. Key contributions to these new songs come from
the exquisite guitar of Rob Sadot, the well-selected effects
of the piano synthesizer of Dean A. Banks, and the rich
back-up vocals of Ellen Lebowitz. The lead song is Mad
Cowboy Disease, a hard-hitting broadside against
the Bush Administration’s war policies with a hilarious
rationale for such hypocritical and bellicose behavior.
You
know it’s kind o’ Sci-Fi what’s
happening today
A Zombie epidemic has hit the USA
You get it through your TV…Listen well, I’ll
tell you how
It attacks you in the brain like contaminated cow!
It’s
just like in the movie… “Night of the
Living Dead”
One day when you wake up, you’re cracked up
in the head
It happens when you fall asleep in front of your TV’s
And when you start believin’ bull;
You’ve got “Mad Cowboy Disease”!
|
BROADSIDES
& RETROSPECTIVES |
|
The
second song is Are You A Citizen (Or Are You
A Slave?). Vic Sadot wrote it with local activist
Cindy Abramowicz Hubschmitt. It came out of a conversation
that Vic had with a fellow at work who declines to discuss
politics because “Nothing can be done! You can’t
change a thing”. This song challenges the notion that
we cannot make progress by the historical fact that we have
done it before. It’s done in a gentle Cajun waltz
style that employs the 10 button accordion. Ellen Lebowitz
adds her wonderful vocals to the back up on this and several
other songs in the collection.
Are
you a Citizen? Or are you a slave?
In the Land of the Free, and the Home of the Brave!
Well, why do you tell me then that “Nothing
can be done”?
If we can’t change a thing, then they’ve
already won!
We’d
still be a colony if the founders thought that way
We’d have royalty and slavery and debtor prisons
today
And women would never have won voting rights
It would be the “dark ages” without doing
what’s right! |

Rob Sadot |
The
CD includes Vic’s unreleased tribute to Phil Ochs,
the great folk singer of the Vietnam War era, who Vic interviewed
in 1973 and put up in his DC apartment for a week. It was
recorded in 1987 when the Crazy Planet Band was in Sound
Lab Studios working on their only LP, Ride the Wind. It’s
called Broadside Balladeer, which now figures into the title
of this CD as well. Respect for the Road was recorded with
Kenny Thompson on piano, George Dreisbach on guitar, and
Brian Heckman in 19 Other retrospective songs that Vic has
recorded in the past but never released remain unfortunately
all too relevant today. Vive Haiti! has become timely again
as the current democratically elected President Aristide
goes into his second exile now that a second Bush Administration
has violated the sovereignty and democracy of the poorest
country in the western hemisphere by planning and funding
and participating in a coup with the former “terrorists”
of the banned Haitian military.
Ride the Wind takes on a whole
new meaning in the post-911 “war on terror”
era than it had in 1988 when it was referring to the balance
of nuclear terror with the Soviet Union. In the aftermath
of US wars and occupations and scandals of torture and the
rejection of the Geneva Convention treaty by the Bush Administration,
it becomes a different song altogether:
Cold
winds blow across the land… Dark clouds gather gloom
Children wake up crying… Parents rush into the room
It’s just another nightmare of impending days of doom
But we’re gonna tear your terror down and make the
deserts bloom!
Yea, that’s what we assume!
It’s
just like us to rise again when we have sunk so low
Those who have no sense of shame will never learn to grow
We cannot live locked in the past… The winter can’t
stop spring
So let us join our hearts in hope… Let’s hear
those voices sing!
Yea, let’s hear those voices sing!
Other
titles that are gleaned from past recordings are White
Clay Creek, Our Only Chesapeake,
and Berceuse de Bonne Nuit (Good Night Lullaby)
from Vic’s 2003 solo CD called Songs of
the Seasons; Born To Win,
the B-side of the 1985 45 of Good Time Delaware;
and Need To Know, Vic’s
reggae influenced torch love song from the Ride
the Wind LP of 1988.
Another fascinating part of the “retrospective”
to this CD project comes from old poems of Vic’s father,
Jean-Henri Sadot, that have been set to music by Vic or
by his friends, who are also guest singers and musicians
on B&R. Vic has rendered In Normandy When
Breezes Blow into song, and he has added his
own new section to the song about D-Day 1944 that he calls
Our Pledge To You. Jean-Henri
Sadot wrote:
In
Normandy when breezes blow from the blue sea up to
the highland
The trees yet echo the fierce battle below…
a sound that soars above these sacred dunes of sand
You took the torch! You paved the way! You stormed
the shore
through fire and thunder!
You bravely gave your lives away…beneath the
dear Star Spangled Banner!
www.zydecoplanet.com/jeanhenrisadot/ |
|
Vic
set his father’s Spanish song about the Pyrenees mountains
in the spring of 1940 to music as well: Recuerdo
de Los Pireneos (Remembering the Pyrenees).
Long time friend and collaborator on this project, Dean
A. Banks, sings Jean-Henri Sadot's A Little
Girl’s Bedtime, and plays the piano.
The song reveals a father’s warm sentiment for his
daughter’s innocence and antics. For example, after
the little girl is supposed to have gone to bed:
It
is not long before I hear
The sound familiar to my ear
The patter of her little feet
Almost as soft as my heartbeat
Reveals that she is not sleeping.
To find out what she is doing
I quietly walk upstairs unseen
And there I find my little queen
Soap in her hair and even cream
Her face as straight as a sunbeam.
The patter of her little feet
Almost as soft as my heartbeat |
|
|
Dean
A. Banks |
Ellen
Lebowitz |
|
Vic’s
French friends in Normandy, Lionel Bernard and Jérôme
Panier, did a great job on Jean-Henri Sadot’s The
Statue of Liberty. Lionel set it to music.
Jérôme sings. They emailed their parts to Vic and he took
that to recording engineer Dean A. Banks. They added keyboards,
acoustic and electric guitars, and back-up vocals here in
the United States by Dean A. Banks, Vic and Rob Sadot, and
Ellen Lebowitz respectively. In The Statue of
Liberty Jean-Henri Sadot calls “this
gift from the people of France” a “symbol of
hope”. He declares that “the principles she
represents speak of true fraternity”, which “offers
the dissident soul a spirit of good will”. In this
time of stress in the historic friendship between France
and the United States, this song reminds us of that unique
bond. Jérôme Panier plays bass guitar and sings
with sincere conviction as the guitar of Lionel Bernard
soars like the flame from Liberty’s torch:
Raising
her torch to the sky
She lights up the whole world
With her eternal message
Of sincere peace and friendship |
|
|
Lionel
Bernard |
Jérôme
Panier |
|
“Broadsides
& Retrospectives” manages to amuse,
inform, and inspire with an array of topics that are patriotic,
that protest injustice, that deliver a good time dance beat,
or that draw you into a more reflective mood. Since this
is a self-published project, distribution will be limited.
However, in this age of the internet, the potential is there
for widespread results. Discmakers is our production company
and they offer a free website at CD Baby and a professional
review by TAXI as part of their package. With Co-Producer
Dean A. Banks as Webmaster, we have developed a whole new
section at our website that enhances the small print limitations
of a CD size package.
The CD sells for $15 per copy, plus $5 postage & handling
for one, two or three copies. Add another $5 to that formula
if your location is outside the USA. “Broadsides &
Retrospectives” can be bought by mail at the address
below or by credit card at Vic’s music projects website,
which is listed below. Credit card purchase of the entire
CD, or for just one song at a time, is now possible at this
website. For further information, interviews, or bookings,
please write, email, or call Vic using the following information:
Vic
Sadot
302-836-1617
vasyvic@aol.com
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